This is a guest post by Dr Alex Hale. Alex is an archaeologist, who works in Scotland. He considers archaeology to be a creative practice that should be far more accessible and part of a democratic process that enables people to understand themselves, each other and our space-time journeys together. Continue Reading
for the record is definitely one of the more unusual publications I’ve come across. The zine documents, what I suppose could be called, ‘conceptual graffiti’. Rather than just observing the urban environment the artist abcdef acts as a kind of militant-flâneur whose photographs make a record of unconventional, often low-key, spray paint interventions. Continue Reading
Scholarly books on graffiti are all the rage at the moment and a chapter on ‘latrinalia’ is almost obligatory. It seems that the study of latrinalia came about as a way for bored academics to fill their time with a quirky project. Simply nip into the university’s lavatory and, hey presto!, there’s the material for a slightly amusing thesis with some bold statements about the state of society. Continue Reading
The last time I reviewed the 99mm zine I was surprised to find that the publication had been in production for twenty years! So it’s good to know that it’s still going strong as Ian Vanek has recently released, what he believes to be, the best 99mm yet! This time the zine’s contents aren’t published in the standard zine scheme of black & white but a cool jazzy green with a stitched spine. Apparently this is in commemoration of its 40th edition which harks back to the zine’s origins as a blue DIY magazine. Continue Reading
As an Englishman my ability to speak any language except my own is severely limited. So when I first picked up Graffiti Brassaï: Le Langage Du Mur I was a bit puzzled how graffiti could be the language of the sea? I quickly realised my mistake! In fact this is the first serious art-historical study of Brassaï’s Graffiti photography series. Researched by the curator Karolina Ziebinska-Lewandowska the book sheds light on the artist Brassaï and graffiti as his subject. Continue Reading
Advertising Shits in Your Head is a new handy pocket guide to modern advertising and, more importantly, how it can be subverted. Published by Dog Section Press just last year it has already run into a second edition. The book’s title was originally used in an article by a certain Bill Posters where he attacks advertisers who surreptitiously “shit in your head”. Expanding on this Advertising Shits in Your Head discusses why advertising should be regarded as such a problem and how it can be tackled effectively. The publishers tell me the book is “intended as a call to arms against the outdoor advertising industry particularly, and capitalism generally. It’s also an exploration of the origins of the modern day, international subvertising movement, and a guide to some of the theory and practice underpinning it.” Continue Reading
Last month Berlin’s Auri Sacra Fames mag celebrated its fifth anniversary! To mark the occasion we did an interview starting with how the magazine first began and the ethic behind it. Continue Reading
At 232 pages the new Auri Sacra Fames is basically a book rather than a magazine. A range of seven different chapters, each with their own style and content, rolled into one publication. This fifth instalment is the ‘Legend’ issue. So alongside two sections of Berlin trains are features on five legendary Berlin crews and individuals. The introduction defines a graff legend as having achieved “a real long-term relevance” through a combination of quality and quantity. Interestingly this description is printed alongside the dictionary definition which labels a legend as a “narrative, which can not be proved or which is grotesquely exaggerated.” Continue Reading
Sometime in the late 2000’s I found myself sitting in a police interview room opposite a pair of excited coppers. After a few minutes of pointless questions they gleefully put their theory to me: “we believe you were intending to travel up to central London to vandalise the Tate Modern!” Continue Reading
Nirvana Rules is the latest of offering from among the many zines Adam Void has made. The title gives a clue to the content within which focuses on the ‘Nirvana Rules’ tag he first noticed on the streets of Baltimore. The graffiti is unconventional, both in its form and style, yet being well-executed and repeated often this clearly isn’t just a series of spontaneous tributes left by random Nirvana fans. Continue Reading